主演：René,Lefèvre,朱尔·贝里,弗洛雷勒
导演：让·雷诺阿
简介：朗治（瑞奈·列费夫尔 René Lefèvre 饰）在一间印刷厂里做了一辈子的文员，撇开正式职业不谈，他还有一颗成为作家的心，常常在业余时间创作漫画和小说。一天，朗治的老板因为贪腐诈骗的罪行东窗事发选择了跑路，却在路上遭遇车祸下落不明，为了维持印刷厂的正常运作，朗治被推举成为了印刷厂的临时管事人，在朗治和其他员工们的努力经营之下，本来濒临倒闭的印刷厂不仅避免了关门大吉的命运，还有了不菲的盈利。一天，老板巴尔塔（朱尔·贝里 Jules Berry 饰）忽然出现在了朗治的面前，大难不死的他不仅企图侵吞朗治和工人们的所有劳动成果，甚至想要将朗治的女友据为己有。
主演：马克斯·布博里尔,Adam,Nemet,阿里·阿比唐,热拉尔丁·纳卡什,热拉尔·达尔蒙,帕特里克·坦西,马利克·班泽拉,Benjamin,Blanchy
导演：安东尼·马尔西阿诺
简介：Robin和他搭档非善类 就只偷老 弱 妇女 偷其他人对他们来说风险太大 他们也有梦想 就是买下镇上最受欢迎的妓院 为了筹钱 他就联合别人抢了小镇的税收 却遇到了森林里的义贼他们是劫富济贫的 一起骗 最终识破Robin的骗局 让其做苦力补救 后来又帮忙释放国王夺回小镇Robin des Bois est un sale type. Lui et son compère Tuck ont une éthique très claire dans la vie ils ne volent que les pauvres, les femmes ou les vieux. Le reste Trop risqué. Mais même les sales types ont des rêves, et le leur est de racheter la maison close la plus courue de la ville, le Pussycat. Robin, que rien n’arrête lorsqu’il s’agit de s’enrichir, décide alors d’aller chercher l’argent là où il se trouve et projette de dévaliser la caisse des impôts de Nottingham. Mais sa rencontre avec le gang de Sherwood, des justiciers qui eux volent les riches pour donner aux pauvres, va contrarier ses plans. Petit Jean, Marianne et leurs amis ont en effet eu exactement la même idée que lui braquer le Shérif de Nottingham. La (vraie) légende de Robin des Bois peut enfin commencer ! （allocine）
主演：内详
导演：居伊·德波
简介：Voice 1 (male professional announcer type) This neighborhood(1) was made for the wretched dignity of the petty bourgeoisie, for respectable occupations and intellectual tourism. The sedentary population of the upper floors was sheltered from the influences of the street. This neighborhood has remained the same. It was the strange setting of our story, where a systematic questioning of all the diversions and works of a society, a total critique of its idea of happiness, was expressed in acts.These people also scorned subjective profundity. They were interested in nothing but an adequate and concrete expression of themselves.Voice 2 (Debord, monotone) Human beings are not fully conscious of their real life - usually groping in the dark; overwhelmed by the consequences of their acts; at every moment groups and individuals find themselves confronted with results they have not wished.Voice 1 They said that oblivion was their ruling passion. They wanted to reinvent everything each day; to become the masters and possessors of their own lives.Just as one does not judge a man according to the conception he has of himself, one cannot judge such periods of transition according to their own consciousness; on the contrary, one must explain the consciousness through the contradictions of material life, through the conflict between social conditions and the forces of social production.The progress achieved in the domination of nature was not yet matched by a corresponding liberation of everyday life. Youth passed away among the various controls of resignation.Our camera has captured for you a few aspects of a provisional microsociety.The knowledge of empirical facts remains abstract and superficial as long as it is not concretized by its integration into the whole ” which alone permits the supersession of partial and abstract problems so as to arrive at their concrete essence, and implicitly at their meaning.This group was on the margins of the economy. It tended toward a role of pure consumption, and first of all the free consumption of its time. It thus found itself directly engaged in qualitative variations of everyday life but deprived of any means to intervene in them.The group ranged over a very small area. The same times brought them back to the same places. No one went to bed early. Discussion on the meaning of all this continued...Voice 2 Our life is a journey ” In the winter and the night. ” We seek our passage...�Voice 1 The abandoned literature nevertheless exerted a delaying action on new affective formulations.Voice 2 There was the fatigue and the cold of the morning in this much-traversed labyrinth, like an enigma that we had to resolve. It was a looking-glass reality through which we had to discover the potential richness of reality.On the bank of the river evening began once again; and caresses; and the importance of a world without importance. Just as the eyes have a blurred vision of many things and can see only one clearly, so the will can strive only incompletely toward diverse objects and can completely love only one at a time.Voice 3 (young girl) No one counted on the future. It would never be possible to be together later, or anywhere else. There would never be a greater freedom.Voice 1 The refusal of time and of growing old automatically limited encounters in this narrow, contingent zone, where what was lacking was felt as irreparable. The extreme precariousness of the means of getting by without working was at the root of this impatience which made excesses necessary and breaks definitive.Voice 2 One never really contests an organization of existence without contesting all of that organization's forms of language.Voice 1 When freedom is practiced in a closed circle, it fades into a dream, becomes a mere representation of itself. The ambiance of play is by nature unstable. At any moment ordinary life� can prevail once again. The geographical limitation of play is even more striking than its temporal limitation. Any game takes place within the contours of its spatial domain. Around the neighborhood, around its fleeting and threatened immobility, stretched a half-known city where people met only by chance, losing their way forever.The girls who found their way there, because they were legally under the control of their families until the age of eighteen, were often recaptured by the defenders of that detestable institution. They were generally confined under the guard of those creatures who among all the bad products of a bad society are the most ugly and repugnant nuns.What usually makes documentaries so easy to understand is the arbitrary limitation of their subject matter. They describe the atomization of social functions and the isolation of their products. One can, in contrast, envisage the entire complexity of a moment which is not resolved into a work, a moment whose movement indissolubly contains facts and values and whose meaning does not yet appear. The subject matter of the documentary would then be this confused totality.Voice 2 The era had arrived at a level of knowledge and technical means that made possible, and increasingly necessary, a direct construction of all aspects of a liberated affective and practical existence. The appearance of these superior means of action, still unused because of the delays in the project of liquidating the commodity economy, had already condemned aesthetic activity, whose ambitions and powers were both outdated. The decay of art and of all the values of former mores had formed our sociological background. The ruling class's monopoly over the instruments we needed to control in order to realize the collective art of our time had excluded us from a cultural production officially devoted to illustrating and repeating the past. An art film on this generation can only be a film on its absence of real creations.Everyone unthinkingly followed the paths learned once and for all, to their work and their home, to their predictable future. For them duty had already become a habit, and habit a duty. They did not see the deficiency of their city. They thought the deficiency of their life was natural. We wanted to break out of this conditioning, in quest of another use of the urban landscape, in quest of new passions. The atmosphere of a few places gave us intimations of the future powers of an architecture it would be necessary to create to be the support and framework for less mediocre games. We could expect nothing of anything we had not ourselves altered. The urban environment proclaimed the orders and tastes of the ruling society just as violently as the newspapers. It is man who makes the unity of the world, but man has extended himself everywhere. People can see nothing around them that is not their own image; everything speaks to them of themselves. Their very landscape is alive. There were obstacles everywhere. There was a cohesion in the obstacles of all types. They maintained the coherent reign of poverty. Everything being connected, it was necessary to change everything by a unitary struggle, or nothing. It was necessary to link up with the masses, but we were surrounded by sleep.Voice 3 The dictatorship of the proletariat is a desperate struggle, bloody and bloodless, violent and peaceful, military and economic, educational and administrative, against the forces and traditions of the old world.Voice 1 In this country it is once again the men of order who have rebelled. They have reinforced their power. They have been able to aggravate the grotesqueness of the ruling conditions according to their will. They have embellished their system with the funereal ceremonies of the past.Voice 2 Years, like a single instant prolonged to this point, come to an end.Voice 1 What was directly lived reappears frozen in the distance, fit into the tastes and illusions of an era, carried away with it.Voice 2 The appearance of events that we have not made, that others have made against us, now obliges us to be aware of the passage of time, its results, the transformation of our own desires into events. What differentiates the past from the present is precisely its out-of-reach objectivity; there is no more should-be; being is so consumed that it has ceased to exist. The details are already lost in the dust of time. Who was afraid of life, afraid of the night, afraid of being taken, afraid of being keptVoice 3 What should be abolished continues, and we continue to wear away with it. We are engulfed. We are separated. The years pass and we haven't changed anything.Voice 2 Once again morning in the same streets. Once again the fatigue of so many similarly passed nights. It is a walk that has lasted a long time.Voice 1 Really hard to drink more.Voice 2 Of course one might make a film of it. But even if such a film succeeds in being as fundamentally disconnected and unsatisfying as the reality it deals with, it will never be more than a re-creation ” poor and false like this botched traveling shot.Voice 3 There are now people who pride themselves on being authors of films, as others were authors of novels. They are even more backward than the novelists because they are unaware of the decomposition and exhaustion of individual expression in our time, ignorant of the end of the arts of passivity. They are praised for their sincerity since they dramatize, with more personal depth, the conventions of which their life consists. There is talk of the liberation of the cinema. But what does it matter to us if one more art is liberated through which Tom, Dick or Harry can joyously express their slavish sentiments The only interesting venture is the liberation of everyday life, not only in the perspectives of history but for us and right away. This entails the withering away of alienated forms of communication. The cinema, too, has to be destroyed.Voice 2 In the final analysis, stars are created by the need we have for them, and not by their talent or lack of talent or even by the film industry or advertising. Miserable need, dismal, anonymous life that would like to expand itself to the dimensions of cinema life. The imaginary life on the screen is the product of this real need. The star is the projection of this need.The images of the advertisements during the intermissions are more suited than any others for evoking an intermission of life.To really describe this era it would no doubt be necessary to show many other things. But what would be the pointBetter to grasp the totality of what has been done and what remains to be done than to add more ruins to the old world of the spectacle and of memories.1. This film, which evokes the lettrist experiences at the origin of the situationist movement, opens with shots of the Paris district frequented by the lettrists in the early 1950s.
主演：阿兰·夏巴,蕾雅·德吕盖,阿娜伊斯·德穆斯蒂埃,伯努瓦·马吉梅尔,勒娜·拉佩,Mikaël,Halimi,Grégoire,Bonnet,Roxane,Arnal,Nagisa,Morimoto,Marie-Christine,Orry,Stéphane,Pezerat
导演：昆汀·杜皮约
简介：Alain and Marie moved to the suburb house of their dreams. But the real estate agent warned them what is in the basement may well change their lives forever.
主演：弗朗索瓦·贝莱昂,萨加莫尔·斯蒂芬南,洛可·希佛帝,卡罗琳·杜西
导演：凯瑟琳·布雷亚
简介：年轻漂亮的小学教师玛丽（Caroline Ducey 凯瑟琳•杜希 饰）与相识三个月的男友保罗（Sagamore Stévenin 萨加莫尔•史蒂文 饰）同居，虽然保罗口口声声说深爱玛丽，却从不与她做爱。纵然玛丽极尽挑逗之能，也始终得不到回应。倍感失落和挫折的她终于尝试出轨，她周转与各色男人之间，尽情享受久违的肉体欢愉。然而即便如此，玛丽仍然疯狂爱着那个让她心碎、嫉妒、痴迷的保罗。在不甚成功的床第欢愉之后，玛丽终于怀有身孕，也如愿和保罗走入婚姻的殿堂。只是，似乎一切并未因此有所改变……
主演：格雷戈瓦·勒普兰斯-林盖,达尼埃莱·莱布伦,格莱高利·嘉德波瓦,埃默琳·格,Nicolas,Bimont,Guy,Conrad,Nicole,David,Christiane,Guillon,Micheline,Levchin,Jacques,Treiner
导演：奥利维耶·特雷内
简介：阿德里安（Grégoire Leprince-Ringuet 饰）是一个学习钢琴已有15年之久的天才钢琴家，可是在梦寐以求的伯恩斯坦钢琴大赛上他功败垂成，人生跌落谷底。经过一段时间调整，阿德里安重新振作，成为了一名盲人钢琴调音师。事实上他只是带上了隐形眼镜，这会让别人认为他听觉方面更加敏锐，并由此得到更多的同情和消费，甚至还会窥视到别人的生活与隐私，他兀自沉浸在这种虽处闹市又仿佛置身世外的超然之中。某天，他来到一户人家工作，殊不知这里刚刚发生一起凶案……本片荣获2011年卢纹（Leuven）国际电影节最佳短片奖、2012年法国恺撒奖最佳短片奖。
主演：弗朗索瓦·贝莱昂,,萨加莫尔·斯蒂芬南,,洛可·希佛帝,卡罗琳·杜西
导演：凯瑟琳·布雷亚
简介：年轻漂亮的小学教师玛丽（Caroline Ducey 凯瑟琳•杜希 饰）与相识三个月的男友保罗（Sagamore Stévenin 萨加莫尔•史蒂文 饰）同居，虽然保罗口口声声说深爱玛丽，却从不与她做爱。纵然玛丽极尽挑逗之能，也始终得不到回应。倍感失落和挫折的她终于尝试出轨，她周转与各色男人之间，尽情享受久违的肉体欢愉。 然而即便如此，玛丽仍然疯狂爱着那个让她心碎、嫉妒、痴迷的保罗。在不甚成功的床第欢愉之后，玛丽终于怀有身孕，也如愿和保罗走入婚姻的殿堂。只是，似乎一切并未因此有所改变……
主演：埃米尔·库斯图里卡,吉约姆·卡内,亚历山德拉·玛丽亚·拉娜,茵格保加·达坤耐特,威廉·达福,黛安·克鲁格
导演：克里斯蒂安·卡里翁
简介：根据轰动冷战时代的前苏联克格勃探员间谍案真实事件改编，讲述前苏联克格勃叛逃者弗拉基米尔与法国情报人员合作，成为前苏联解体的诱因，故事本身和影片题材还是很有争议性的，影片由著名导演埃米尔·库斯图里卡和法国英俊才子吉约姆·卡内共同主演。导演克里斯蒂安·卡里昂此前曾导演过《梦想起飞的季节》和《圣诞快乐》等。1985年8月1日，前苏联情报机构克格勃罗马第一总局五处维塔利·尤尔钦科上校借口参观梵蒂冈博物馆，走进了驻罗马的美国大使馆，这位冷战期间叛逃的克格勃最高官员，抖出了数名在美国国家安全局工作的苏联间谍，导致克格勃在西方的间谍机构受到致命破坏。
主演：Jean,Rougeul,Chantal,Paley,Jean,Raynaud
导演：劳尔·鲁伊斯
简介：Two narrators, one seen and one unseen, discuss possible connections between a series of paintings. The on-screen narrator walks through three-dimensional reproductions of each painting, featuring real people, sometimes moving, in an effort to explain the series' significance.
主演：Martin,Lassalle,Marika,Green
导演：Étienne,Chatiliez
简介：因为妇产科护士坦承12年前将有钱中产阶级的Quesnoy家的男孩与下层阶级Groselle（北非移民）家的女孩掉包，现在Quesnoy不想交还女 儿，还想把儿子Momo买过来。Momo是在粗野恶劣的家庭环境中长大的早熟聪明圆滑小惯窃，但是他到了Quesnoy家却把他们弄得鸡犬不宁。这是一部社会讽刺剧，对有钱阶级和没钱阶级同时进行炮轰。故事讲一个护士跟上司有染，曾故意将两个初生婴儿调包。12年后，上司的妻子去世，但他不愿跟情妇结婚，于是她大爆调包秘密，使两户贫富差距相当明显的家庭陷入各自的危机。富家愿意把自己孩子接回去，穷的那家则拼命敲诈；穷家女儿回到富家后，将很多以前的习惯带了过去；富家的女儿对自己亲身父母颇为好奇，但他们却并不想把她领回去。
主演：Kev,Adams,樊尚·埃尔巴兹,保罗·巴特尔,科洛·克莱沃
导演：Edouard,Pluvieux
简介：Afin de réaliser le rêve de son jeune frère malade, Léo et leurs meilleurs potes organisent un faux braquage… mais le jour J, ils se trompent de banque. Le faux braquage devient un vrai hold-up. Commence alors l’aventure extraordinaire des Amis Publics !Inspirée d'une Histoire Fausse.
主演：恩里克·洛维索,Valentina,Scalici,Giuseppe,Ieracitano,Florence,Darel,Marina,Golovine,Fabio,Alessandrini
导演：吉安尼·阿梅利奥
简介：罗塞塔（瓦伦蒂娜•斯卡里希 Valentina Scalici 饰）和卢恰诺（朱塞佩•伊拉西塔诺 Giuseppe Ieracitano 饰）是一对相依为命的姐弟，她们的母亲因为逼女儿卖淫而锒铛入狱。此事遭媒体曝光后，两人随后被两个警察送上了去孤儿院的列车。其中一个警察因事先行告退，将姐弟俩托付给警察安东尼奥（恩里克•洛维索 Enrico Lo Verso 饰）独自看护。姐姐背负着雏妓的心理压力，但是弟弟却总是我行我素，两人常常发生争执。安东尼奥总是默默旁观，小心翼翼地呵护着两颗稚嫩的童心。在经历了抢劫、酒店驱逐，学校开除、哮喘疾病等一连串霉运后，安东尼奥似乎跟姐弟俩建立一种亦父亦友的关系，然而一张报纸却让他们的世界陷入崩溃的边缘……本片获第45届戛纳电影节评委会大奖。
主演：雅克·卡特兰,Léonid,Walter,de,Malte,Philippe,Hériat,Fred,Kellerman
导演：马塞尔·莱尔比埃
简介：Claire Lescot is a famous prima donna. All men want to be loved by her. Among them is the young scientist Einar Norsen. When she mocks at him, he leaves her house with the declared intention to kill himself... But the story is much less important than the scenery this movie intended to be a manifesto of the modern decorative arts.
主演：朱莉·德帕迪约,贝尔纳·耶尔勒,Xavier,Guelfi,萨拉·马丁斯,Sophie,Le,Tellier,Quentin,Baillot,Émilie,Lehuraux,Thomas,Vandenberghe,卡特琳娜·阿莱格雷,亚历谢斯·罗莱特
导演：Magaly,Richard-Serrano
简介：码头旁的一艘船中，发现一名受瘟疫感染致死的男性尸体。警探们发现惊人的证据指向受害者并非感染致死，而是遭人注射细菌，而这个人就在他的身边！
主演：Antoine,Pirotte,皮埃尔·克雷顿,格莱高利·嘉德波瓦,Vincent,Barré,马修·阿马立克,Manon,Schaap,弗朗索瓦兹·勒布伦,Chiman,Dangi,Pierre,Barray,Yves,Edouard,Maxime,Savouray,Olivier,Cheval,埃弗利娜·迪迪,Bruno,Martin,Marie-Odile,Daubeuf,Nicolas,Rosa,Amélie,Grancher,Jean-Marc,Aubert,Hervé,Hennetier,Pi
导演：皮埃尔·克雷顿
简介：16岁的皮埃尔-约瑟夫进入一个培训中心学习园艺，与中心主任弗朗索瓦丝·布朗、他的植物学老师阿尔贝托和雇主阿德里安相遇，从而开始了他的成长和性觉醒之旅。40年后，弗朗索瓦丝·布朗的养子库塔突然出现，成为了神秘的安蒂维尔城堡的主人，并似乎在寻找一个不仅仅是普通园艺师的人选。
主演：Panayotis,Pascot
导演：Panayotis,Pascot
简介：在这部搞笑而感人的喜剧特辑中，法国电视红人帕纳约蒂斯·帕斯科特畅谈他的恋爱生活和成长经历。
主演：赫尔穆特·贝格,伊莲娜·扎贝斯,Francesc,Daranas,Catalin,Jugravu
导演：阿尔伯特·塞拉
简介：1774, a few years before the French Revolution, somewhere between Potsdam and Berlin... Madame de Dumeval, the Duke of Tesis and the Duke of Wand, libertines expelled from the Puritan court of Louis XVI, sought the support of the legendary Duke of Walchen, a seducer and free thinker from Germany, alone in a country where hypocrisy and false virtue reigned. Their mission to export libertinage to Germany, a philosophy of enlightenment based on the rejection of morality and authority but also, and above all, to find a safe place to continue their misguided games.
主演：黛安·克鲁格,马修·卡索维茨,玛尔塔·涅托,阿蜜拉·卡萨,格里高利·菲托西,艾乐蒂·纳瓦,Adrien,Malvoisin,Laurent,Marion,Romain,Fleury,Paco,Perez,Hugo,Possamai,Pierre,Lebrun,Benjamin,Lauff,Marc,Prin,亚历珊德拉·耶尔马克,娜塔莉·理查德,菲利普·梅马特,Solène,Cornu,Charlotte,Darragon,Christophe,Istier
导演：雅恩·戈斯兰
简介：The story revolves around Estelle, an incomparably professional long-haul pilotcaptain who leads a perfectly structured life alongside her loving and protective husband Guillaume. Everything seems to be going well, although the endless flights and bouts of jet lag are beginning to upset the young woman’s biorhythms, especially her sleep. One day, in a corridor in Nice airport, she randomly crosses paths with Ana, a photographer she’d had a passionate affair with twenty years earlier. Estelle has no way of knowing that this reunion will suck her into a nightmaresque spiral and lure her life into irrationality...
主演：亚里安妮·拉贝德,格莱戈尔·科林,卡西·莫泰·克莱恩,瓦西里·施耐德,阿德里安·博,克莱尔·迪比尔克,Erwan,Ribard
导演：阿德里安·博
简介：Genre cinema lends itself to fruitful experimentation and Vourdalak is a prime example, offering ample opportunities for it along with dark, profound chills and a delightful Gothic atmosphere. A father returns from the war to his children (now as a vourdalak), dead yet alive, while simultaneously, an envoy of the King of France arrives at their secluded forest home. Profoundly ...
主演：爱丽丝·波尔,埃迪·米切尔,缪缪,巴勃罗·保利,古斯塔弗·科文,莎拉·斯特恩,帕斯卡·艾比约,扎布·布雷特曼
导演：Nicolas,Pleskok
简介：The story revolves around Jeanne, a brilliant architect who is entrusted with the renovation of a sumptuous manor house belonging to the rather strange Daguerre family, who sit atop a board games empire. When family patriarch César is found murdered, Jeanne is drawn into a real-life murder mystery aimed at unmasking the assassin…
主演：Angèle,Mac,哈蒂克,Ahmed,Abdel,Laoui,Kylian,Larmonie,Merveille,Nsombi,Nicolas,Pignon,Igor,Kovalsky,Marie,Rémond,Judith,Williquet,Modeste,Nzapassara,Coline,Beal,Kevin,Bago,Bruni,Makaya,Pierre,Aventuna,Ayoub,Bara,Lina,Camelia,Lumbroso,Laurent,Poignot,Jean-Bapti
导演：纪尧姆·尼克卢
简介：Les habitants d’une tour de cité découvrent un matin qu’un voile noir obstrue toutes les fenêtres et la porte d’entrée de l’immeuble. Un voile noir qui dévore tout ce qui tente de le pénétrer…
主演：伊莲娜·雅各布,哈丽娜·格雷格拉谢夫斯卡,卡里娜·谢鲁斯克,亚历山大·巴尔迪尼,瓦迪斯瓦夫·科瓦尔斯基,杰兹·古德寇,菲利普·沃特,桑德琳·杜马斯,路易斯·迪克勒,克洛德·迪内通,洛莱妮·伊万诺夫,吉约姆·德·东克戴克
导演：克日什托夫·基耶斯洛夫斯基
简介：两个少女，一个生在波兰，一个生在法国，同样的相貌，同样的年龄，她们也有一样的名字：薇罗尼卡。她们都那样喜欢音乐，嗓音甜美。波兰的薇罗尼卡非常喜欢唱歌，唱高音特别出众。她觉得自己并不是独自一人生活在这个世界上，没想到一天她真的遇到一个样子跟她一模一样的女孩，可是她自己却在一次表演中心脏病发暴毙在舞台上。此时身在法国的薇罗尼卡正沉醉在与男友的欢愉中，突然她觉得特别的空虚难过。此后她的生活中便常常响起一段极其哀怨的曲子，她爱上了一个儿童读物作家。一次与男友聊天的过程中，她发现了在波兰拍的照片中，出现了一个与自己极为相似的女子，此时她才深深相信，世界上还有另外一个自己存在。
主演：德尼·梅诺谢,扎拉·阿米尔·阿布拉希米,维克图瓦尔·杜布瓦,奥斯卡·寇普,Luca,Terracciano,Raphal,Ferret,Roxane,Barazzuol,Valentine,Atlan,Guillaume,Pottier,雷米·佩德维拉,朱莉·穆利耶,Loc,Corbery,朱莉-安妮·罗斯,巴斯蒂安·乌盖托
导演：纪尧姆·雷努松
简介：Written by Guillaume Renusson and Clément Peny, the story (which won the Audience Award for Best Screenplay for a First Feature Film at Angers’ European First Film Festival) revolves around Samuel who, in the aftermath of a recent tragedy, leaves to get away from it all in his chalet in the Italian Alps, a place of passage for migrants looking to cross the border between Italy ...
主演：艾尔莎·泽贝斯坦,丽贝卡·马德,埃洛迪·布歇,茱迪丝·谢拉,奥利维埃·古尔梅,马修·斯皮诺斯,菲利普·勒卢什,巴斯蒂安·布永,卢巴纳·阿兹巴尔,弗朗索瓦·罗兰,安托万·夏佩,安托万·高尔友利,露西·鲁塞尔,Esther,Valding,詹妮弗·德克,Hannah,Levin,卡米莉·拉瑟福德,西尔维·泰斯蒂,菲利普·托雷顿,布鲁诺·若里斯
导演：奥利维埃·达昂
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